A response to the ever-expanding interference of the digital world, The Cast of the Invisible, a CGI animated short film, prods at the line between one’s virtual and physical existence. Inspired by how the identities of motion-capture actors are lost beneath digitally imposed animation, the film stars W.A.I., a motion-capture-suit-clad virtual clone of the artist.
The Cast of the Invisible follows several days in the life of W.A.I., a motion-capture actor, as they descend into existential confusion. Plagued by the consequences of a vocation endowing them with purpose by stripping them of their individuality, W.A.I. cannot escape a fundamental demand to exist in mimetic performance as anyone but themselves. Even after leaving the film studio, W.A.I., still costumed in the black motion-capture suit, asks their robot lover “how should I act?” in a moment of intimacy. Evocative of a Goffmanian “total institution,” W.A.I.’s ubiquitous uniform pervading their private life speaks to the metaphysical reductionism that inherently cages any digitally reproduced being within a stunted identity. A human clone tasked with laying the unseen bones of other made-up characters in an artificial world, W.A.I. is a slice of a person designed to be everyone and no one.
Thus, The Cast of the Invisible is a direct reference to the liminal role of motion-capture actors who symbolize being both “in-between” the real and virtual worlds yet never fully present or autonomous in either one. Elaborating on motifs of an infinitely mutable identity in the contemporary digital context, W.A.I. now must navigate the ontological implications of being a real-world replica whose purpose is to be digitally reproduced. Through the work, Lau questions the role of humans as technology progresses. What will it mean to be human? What will it mean to be a clone? Which world will define our identities?
The Cast of the Invisible, 4K Single-Channel CGI Animation, 13’15”, 2024
A response to the ever-expanding interference of the digital world, The Cast of the Invisible, a CGI animated short film, prods at the line between one’s virtual and physical existence. Inspired by how the identities of motion-capture actors are lost beneath digitally imposed animation, the film stars W.A.I., a motion-capture-suit-clad virtual clone of the artist.
The Cast of the Invisible follows several days in the life of W.A.I., a motion-capture actor, as they descend into existential confusion. Plagued by the consequences of a vocation endowing them with purpose by stripping them of their individuality, W.A.I. cannot escape a fundamental demand to exist in mimetic performance as anyone but themselves. Even after leaving the film studio, W.A.I., still costumed in the black motion-capture suit, asks their robot lover “how should I act?” in a moment of intimacy. Evocative of a Goffmanian “total institution,” W.A.I.’s ubiquitous uniform pervading their private life speaks to the metaphysical reductionism that inherently cages any digitally reproduced being within a stunted identity. A human clone tasked with laying the unseen bones of other made-up characters in an artificial world, W.A.I. is a slice of a person designed to be everyone and no one.
Thus, The Cast of the Invisible is a direct reference to the liminal role of motion-capture actors who symbolize being both “in-between” the real and virtual worlds yet never fully present or autonomous in either one. Elaborating on motifs of an infinitely mutable identity in the contemporary digital context, W.A.I. now must navigate the ontological implications of being a real-world replica whose purpose is to be digitally reproduced. Through the work, Lau questions the role of humans as technology progresses. What will it mean to be human? What will it mean to be a clone? Which world will define our identities?
The Cast of the Invisible, 4K Single-Channel CGI Animation, 13’15”, 2024
Directing, writing, editing & animation: Lau Wai
Soundtracks:
“The Void” by Stephen Keech
“Above the Clouds” by Theatre of Delays
“A Twist of Fate” by Or Chausha
“The Fall” by Or Chausha
“Dark Forest” by John Dada & the Weathermen
Audio recording & sound editing: Lau Wai
3D Models:
Epic Games
MetaHuman
Mixamo
Twinmotion
KitBash3D
ArtcoreStudios
Pack Dev
Urzits
Emran Arts
Aurum Architecture
Fabulous Card
Lau Wai (HK) is a multidisciplinary artist based in Hong Kong and New York, working across moving images, 3D animation, digital interactive media, photography, and installation. They utilize personal and historical archives, cinematic imagery, popular culture, and emerging technologies to explore how history, fiction, personal memory, and virtuality intersect in the process of identity formation. They have exhibited internationally and their work is included in museum collections at The Museum of Fine Arts, Houston, TX; Alexander Tutsek-Stiftung Foundation, Munich; M+, Hong Kong, among others.
Lau Wai (HK) is a multidisciplinary artist based in Hong Kong and New York, working across moving images, 3D animation, digital interactive media, photography, and installation. They utilize personal and historical archives, cinematic imagery, popular culture, and emerging technologies to explore how history, fiction, personal memory, and virtuality intersect in the process of identity formation. They have exhibited internationally and their work is included in museum collections at The Museum of Fine Arts, Houston, TX; Alexander Tutsek-Stiftung Foundation, Munich; M+, Hong Kong, among others.
Lau Wai’s one-person tour-de-force begins with a lone motion-capture performer waiting for her digital cue and ends in a hall of mirrors where the copies outnumber the original. Rendered in meticulous CGI and built almost entirely without external support, the film slips a “mocap inside a mocap” gag into a layered meditation on techno precarity: every new take spawns another avatar, dissolving the actress and, by implication, the artist into an expanding cast of selves.
Absurd humor and sharp sarcasm keep the existential vertigo buoyant. “Who am I, and how many?” the protagonist seems to ask as her data double rehearses endlessly for a role that may never materialize. The result is both a complementary vision of the motion-capture industry and a fresh spin on the “dream within a dream” motif, where digital embodiment is at once liberation, labor, and lingering threat.
By folding world-building, performance, and self-critique into a concise meta-narrative, The Cast of the Invisible pushes CGI animation beyond spectacle toward a witty, unsettling inquiry into identity in the age of infinite duplication—an inquiry that lingers long after the render finishes.
Lau Wai’s one-person tour-de-force begins with a lone motion-capture performer waiting for her digital cue and ends in a hall of mirrors where the copies outnumber the original. Rendered in meticulous CGI and built almost entirely without external support, the film slips a “mocap inside a mocap” gag into a layered meditation on techno precarity: every new take spawns another avatar, dissolving the actress and, by implication, the artist into an expanding cast of selves.
Absurd humor and sharp sarcasm keep the existential vertigo buoyant. “Who am I, and how many?” the protagonist seems to ask as her data double rehearses endlessly for a role that may never materialize. The result is both a complementary vision of the motion-capture industry and a fresh spin on the “dream within a dream” motif, where digital embodiment is at once liberation, labor, and lingering threat.
By folding world-building, performance, and self-critique into a concise meta-narrative, The Cast of the Invisible pushes CGI animation beyond spectacle toward a witty, unsettling inquiry into identity in the age of infinite duplication—an inquiry that lingers long after the render finishes.