Patchwork Girl

Paulien Geerlings (NL), Jantine Jongebloed (NL), Eva Knibbe (NL), Noelía Martin-Montalvo (ES), Nina Van Tongeren (NL), de Toneelmakerij (NL)

Patchwork Girl is a poignant lecture performance about sexting, exposing, slut-shaming, empowerment and owning your sexuality. 

Jantine was 16 when the trashy Dutch website GeenStijl published her nudes, together with a fake interview about her sex life. When Cyrina was 13, she made a sexy video for a boy. The next day the clip was spread at the schools in her village. Both girls blamed themselves for the slut-shaming they experienced.  

In this performance, Jantine reconstructs the traumatic events from her past, using the internet through which she was previously victimized. On stage, she is accompanied by five teen girls. What has changed in the intervening 20 years? How proud of her body can a girl be? They re-enact the experience of the 16-year-old Jantine, and the perpetrators. And they explore whether AI-generated apologies are more effective than the ones Jantine received. Cyrina shares her story, too, via a voice-over. AI artist Noelía creates an avatar based on Jantine’s nudes. This virtual girl who embodies the ‘male fantasy’, is first used to attract men in “expose groups” on Telegram and on porn sites. At the end of the performance, the avatar is 'dressed' in photos of the skin of the audience. Shielded by skin, this Patchwork Girl enters the world of expose groups and porn sites and speaks out. She engages in dialogue with the users, on behalf of victimized women. She gives the response they can't and reclaims their narrative. 

We encountered all sorts of obstacles while making Patchwork Girl, which confronted us with (the absence of) internet ethics. The performance thematizes these obstacles. A few of them: 

  • We initially wanted to work with young victims of shame sexting, but none of them wanted to share their story live on stage. Jantine did dare to take on that challenge, but only after 20 years. Her story reveals just how traumatic events like this are for the victims. A sharp contrast to the ease with which nude photos are shared without consequences.  

  • We discovered that avatars have better legal protection than women! It turns out that it is illegal to create a nude avatar. So we had to use the latest technology, that is still unregulated, and learn from scratch how to create her.  

  • We planned to share our avatar to the big expose groups on Telegram, which have thousands of members. But recent media attention had made the groups suddenly disappear to an un-trackable corner of the Internet. We set up our own Telegram group to share our avatar. We got followers (!) but they were soon using our group to trade images of their girlfriends.  

  • We got a tip-off that private photos were circulating on the porn site xHamster. We attempted to register our avatar with the site. Soon we found ourselves in a bureaucratic maze, trying to sort out who had the rights to the naked avatar. The issue is still unresolved.  

  • We contacted GeenStijl to advertise our performance on their site. This was the least they could do, we thought, since it’s no longer possible for Jantine to sue the site for distributing child porn images of her, due to a statute of limitations. GeenStijl proposed to charge us €850 for the advertisement and made inappropriate comments in our email exchange, which made us shy away from collaboration.  

In making Patchwork Girl, it became clear that shame sexting and exposing are products of an indifferent man’s world, that is unlikely to change anytime soon. As women, our only possible answer is sisterhood. The performance ends with a profound act of solidarity: the girls stand around Jantine to shield her from the view of the audience, while she is making a new nude. On the screen above them, the avatar—now covered with photographs of the skin of audience members—talks about all that skin can mean: “She is all of us. She is carried by all of us.” 

We are not done with Patchwork Girl. Now we have made her, we want to continue exploring what effect she can have in the world of expose groups and porn sites. That is something the Prix Ars Electronica for Digital Humanity will help us achieve.

 

Patchwork Girl is a poignant lecture performance about sexting, exposing, slut-shaming, empowerment and owning your sexuality. 

Jantine was 16 when the trashy Dutch website GeenStijl published her nudes, together with a fake interview about her sex life. When Cyrina was 13, she made a sexy video for a boy. The next day the clip was spread at the schools in her village. Both girls blamed themselves for the slut-shaming they experienced.  

In this performance, Jantine reconstructs the traumatic events from her past, using the internet through which she was previously victimized. On stage, she is accompanied by five teen girls. What has changed in the intervening 20 years? How proud of her body can a girl be? They re-enact the experience of the 16-year-old Jantine, and the perpetrators. And they explore whether AI-generated apologies are more effective than the ones Jantine received. Cyrina shares her story, too, via a voice-over. AI artist Noelía creates an avatar based on Jantine’s nudes. This virtual girl who embodies the ‘male fantasy’, is first used to attract men in “expose groups” on Telegram and on porn sites. At the end of the performance, the avatar is 'dressed' in photos of the skin of the audience. Shielded by skin, this Patchwork Girl enters the world of expose groups and porn sites and speaks out. She engages in dialogue with the users, on behalf of victimized women. She gives the response they can't and reclaims their narrative. 

We encountered all sorts of obstacles while making Patchwork Girl, which confronted us with (the absence of) internet ethics. The performance thematizes these obstacles. A few of them: 

  • We initially wanted to work with young victims of shame sexting, but none of them wanted to share their story live on stage. Jantine did dare to take on that challenge, but only after 20 years. Her story reveals just how traumatic events like this are for the victims. A sharp contrast to the ease with which nude photos are shared without consequences.  

  • We discovered that avatars have better legal protection than women! It turns out that it is illegal to create a nude avatar. So we had to use the latest technology, that is still unregulated, and learn from scratch how to create her.  

  • We planned to share our avatar to the big expose groups on Telegram, which have thousands of members. But recent media attention had made the groups suddenly disappear to an un-trackable corner of the Internet. We set up our own Telegram group to share our avatar. We got followers (!) but they were soon using our group to trade images of their girlfriends.  

  • We got a tip-off that private photos were circulating on the porn site xHamster. We attempted to register our avatar with the site. Soon we found ourselves in a bureaucratic maze, trying to sort out who had the rights to the naked avatar. The issue is still unresolved.  

  • We contacted GeenStijl to advertise our performance on their site. This was the least they could do, we thought, since it’s no longer possible for Jantine to sue the site for distributing child porn images of her, due to a statute of limitations. GeenStijl proposed to charge us €850 for the advertisement and made inappropriate comments in our email exchange, which made us shy away from collaboration.  

In making Patchwork Girl, it became clear that shame sexting and exposing are products of an indifferent man’s world, that is unlikely to change anytime soon. As women, our only possible answer is sisterhood. The performance ends with a profound act of solidarity: the girls stand around Jantine to shield her from the view of the audience, while she is making a new nude. On the screen above them, the avatar—now covered with photographs of the skin of audience members—talks about all that skin can mean: “She is all of us. She is carried by all of us.” 

We are not done with Patchwork Girl. Now we have made her, we want to continue exploring what effect she can have in the world of expose groups and porn sites. That is something the Prix Ars Electronica for Digital Humanity will help us achieve.

toneelmakerij.nl/voorstelling/patchworkgirl/

Patchwork Girl is produced by the Theatre Company de Toneelmakerij 

Concept: Paulien Geerlings, Eva Knibbe 

Idea & direction: Eva Knibbe 

Story: Jantine Jongebloed 

Creation and text: Paulien Geerlings, Jantine Jongebloed, Eva Knibbe, Nina van Tongeren 
AI artist: Noelía Martin-Montalvo, 
Performers: Anna Antonoglou, Silke Ensel, Chiara Fleischmann, Jantine Jongebloed, Noelía Martin-Montalvo, Amber Schouten, Nora Smidt 

With special thanks to: Cyrina, Waag Future Lab and Iris Keuven 

Head of Education & Participation: Martien Langman 

Theatre Company de Toneelmakerij is funded by the Dutch Ministry of Culture and by the City of Amsterdam.

De Toneelmakerij (NL) makes cutting-edge shows for young audiences. Based in Amsterdam and with (inter)national reach, we tell polyphonic stories to the heartbeat of the city. We have participated in European projects such as the awarded Young Europe 4 and ACuTe. For this, our interactive performance Rabbit Hole received an award for best concept and use of new tech. Paulien Geerlings (NL) is head dramaturg at de Toneelmakerij and board member of ETC. She publishes essays and is writing a play for the main stage. Jantine Jongebloed (NL) is a writer and journalist. Her literary debut “Sometimes I want a child” was published last year. Patchwork Girl was partly based on her prize-winning essay. Eva Knibbe (NL) is an all-round artist. Her video installation Untitled, created with Paulien Geerlings, showcases the history and future of people with Down syndrome. Noelía Martin-Montalvo (ES) graduated in Interdisciplinary Arts at the Maastricht Institute of Arts. She employs diverse mediums including film, photography, performance, and AI art. Nina van Tongeren (NL) is a playwright and a dramaturg at de Toneelmakerij. She writes activist plays for all ages and publishes essays.

De Toneelmakerij (NL) makes cutting-edge shows for young audiences. Based in Amsterdam and with (inter)national reach, we tell polyphonic stories to the heartbeat of the city. We have participated in European projects such as the awarded Young Europe 4 and ACuTe. For this, our interactive performance Rabbit Hole received an award for best concept and use of new tech. Paulien Geerlings (NL) is head dramaturg at de Toneelmakerij and board member of ETC. She publishes essays and is writing a play for the main stage. Jantine Jongebloed (NL) is a writer and journalist. Her literary debut “Sometimes I want a child” was published last year. Patchwork Girl was partly based on her prize-winning essay. Eva Knibbe (NL) is an all-round artist. Her video installation Untitled, created with Paulien Geerlings, showcases the history and future of people with Down syndrome. Noelía Martin-Montalvo (ES) graduated in Interdisciplinary Arts at the Maastricht Institute of Arts. She employs diverse mediums including film, photography, performance, and AI art. Nina van Tongeren (NL) is a playwright and a dramaturg at de Toneelmakerij. She writes activist plays for all ages and publishes essays.

Patchwork Girl is an exemplary project that addresses pressing issues like sexting, slut-shaming, and online abuse through a powerful blend of performance and technology. Jantine and Cyrina courageously share their experiences of online victimization, confronting societal norms and the lack of accountability in digital spaces. The performance highlights the enduring impact of such trauma, with Jantine revisiting her past with the support of five teenage girls, emphasizing the importance of solidarity. 

Innovatively, the project experiments with AI-generated apologies and creates an avatar, Patchwork Girl, to reclaim agency over their narratives. This technological integration not only adds depth to their storytelling but also explores the ethical complexities of digital tools in online abuse. The symbolic act of Jantine capturing a new nude photo underscores the reclaiming of her body and autonomy, a defiant statement against online exploitation. 

Patchwork Girl excels in promoting human-centered, collaborative practices and cross-disciplinary engagement, aligning perfectly with the Ars Electronica Award for Digital Humanity’s objectives. It transcends mere reflection on technology's effects, advocates for systemic change in digital spaces, and opens new pathways towards the protection of human dignity. The jury unanimously decided to honor this project to amplify the creator’s efforts and raise awareness about the need for continued advocacy against online abuse, aiming to extend its impact beyond the stage to combat expose groups and online exploitation effectively. 

Patchwork Girl is an exemplary project that addresses pressing issues like sexting, slut-shaming, and online abuse through a powerful blend of performance and technology. Jantine and Cyrina courageously share their experiences of online victimization, confronting societal norms and the lack of accountability in digital spaces. The performance highlights the enduring impact of such trauma, with Jantine revisiting her past with the support of five teenage girls, emphasizing the importance of solidarity. 

Innovatively, the project experiments with AI-generated apologies and creates an avatar, Patchwork Girl, to reclaim agency over their narratives. This technological integration not only adds depth to their storytelling but also explores the ethical complexities of digital tools in online abuse. The symbolic act of Jantine capturing a new nude photo underscores the reclaiming of her body and autonomy, a defiant statement against online exploitation. 

Patchwork Girl excels in promoting human-centered, collaborative practices and cross-disciplinary engagement, aligning perfectly with the Ars Electronica Award for Digital Humanity’s objectives. It transcends mere reflection on technology's effects, advocates for systemic change in digital spaces, and opens new pathways towards the protection of human dignity. The jury unanimously decided to honor this project to amplify the creator’s efforts and raise awareness about the need for continued advocacy against online abuse, aiming to extend its impact beyond the stage to combat expose groups and online exploitation effectively.