ATUA reimagines the realm of Pacific gods in this new sculptural AR experience, claiming space for gender diverse identities impacted by colonial first contact and creating an intimate portal for users to see themselves reflected as vital to their pan Pacific cultural heritage and an intrinsic part of the cosmos. Become immersed in an expansive tale of time and space, in this intimate user experience that reframes Pacific cosmology through a Queer Indigenous lens.
Enabled through IOS devices, the ATUA experience begins with Te Kore—the Void, a space of abundance and limitless potential. Activated through the power of Augmented Reality, you can witness Te Kore being manifested into a physical form as a cosmic being, forged from ancestral memory and adorned in cultural navigation.
The digital sculpture is composed of a physical or digital pou (landmark), from which an Augmented Reality deity leaps when viewed through handheld devices. Designed to be used in a museum-based setting, we needed to be able to orient the Augmented Reality system without being ‘set up’ each time. We implemented a hybrid approach of image and world-based tracking so that each viewer perceives the right orientation of the experience, regardless of which angle the pou is being viewed from.
ATUA | CULTURAL CONTEXT
“Atua” is a term that derives from the pan-Pacific pantheon and shared elemental, spiritual, cultural, and ethereal gods that make up and occupy the cosmos and Pulotu—the underworld. These forces, and sometimes beings, are considered our ancient gods. In some cultures, colonial contact played a significant role in erasing some of these cultural knowledge systems, and they were often mythologized throughout the course of human history and dismissed as pagan belief systems. However, in recent years the practice of decolonization has inspired Indigenous folk to reclaim these systems and their old gods.
ATUA reimagines the realm of Pacific gods in this new sculptural AR experience, claiming space for gender diverse identities impacted by colonial first contact and creating an intimate portal for users to see themselves reflected as vital to their pan Pacific cultural heritage and an intrinsic part of the cosmos. Become immersed in an expansive tale of time and space, in this intimate user experience that reframes Pacific cosmology through a Queer Indigenous lens.
Enabled through IOS devices, the ATUA experience begins with Te Kore—the Void, a space of abundance and limitless potential. Activated through the power of Augmented Reality, you can witness Te Kore being manifested into a physical form as a cosmic being, forged from ancestral memory and adorned in cultural navigation.
The digital sculpture is composed of a physical or digital pou (landmark), from which an Augmented Reality deity leaps when viewed through handheld devices. Designed to be used in a museum-based setting, we needed to be able to orient the Augmented Reality system without being ‘set up’ each time. We implemented a hybrid approach of image and world-based tracking so that each viewer perceives the right orientation of the experience, regardless of which angle the pou is being viewed from.
ATUA | CULTURAL CONTEXT
“Atua” is a term that derives from the pan-Pacific pantheon and shared elemental, spiritual, cultural, and ethereal gods that make up and occupy the cosmos and Pulotu—the underworld. These forces, and sometimes beings, are considered our ancient gods. In some cultures, colonial contact played a significant role in erasing some of these cultural knowledge systems, and they were often mythologized throughout the course of human history and dismissed as pagan belief systems. However, in recent years the practice of decolonization has inspired Indigenous folk to reclaim these systems and their old gods.
Lead artists: Tanu Gago, Māhia Jermaine Dean
Key collaborators: Kat Lintott, Carthew Neal, Nacoya Anderson
Voice artist: Nathaniel Lees
Creative collective: FAFSWAG
Skin markings designers: Tanu Gago, Māhia Jermaine Dean, Pati Solomona Tyrell, Jaimie Waititi
Production company: Piki Films
Interactive development: Wrestler
Interactive producer: Ben Dunn
Interactive artists: Jeff Jones, Tim Crossley, Stan Brown, Imery Watson, Chris Ward, Eugene Park
Pou creator: Kereama Taepa
This work was created by artists Tanu Gago of FAFSWAG Arts Collective with support from Piki films, Wrestler studio, and the New Zealand Film Commission. It premiered in 2022 at the Sundance International Film Festival. Developed in association with the New Zealand Film Commission’s Interactive Development Fund.
FAFSWAG (Tanu Gago) is an interdisciplinary artist, queer activist, filmmaker, and Member of the New Zealand Order of Merit for services to Pacific arts and the LGBTQIA+ community. Gago was a Samoan immigrant who was raised in South Auckland and is co-founder of the Queer Indigenous Arts Collective FAFSWAG, working at the intersections of film, Queer activism, moving image, animation and AR interactivity. Gago has exhibited globally and won awards—2020 Arts Foundation Laureate and CNZ Pacific Arts Contemporary Artist recipient, and the 2022 McCahon House artist in residence. In 2022, along with FAFSWAG, Gago presented Alteration, a mixed media exhibition in Kassel, Germany as part of Documenta 15, and will feature new works at MIF 2025.
FAFSWAG (Tanu Gago) is an interdisciplinary artist, queer activist, filmmaker, and Member of the New Zealand Order of Merit for services to Pacific arts and the LGBTQIA+ community. Gago was a Samoan immigrant who was raised in South Auckland and is co-founder of the Queer Indigenous Arts Collective FAFSWAG, working at the intersections of film, Queer activism, moving image, animation and AR interactivity. Gago has exhibited globally and won awards—2020 Arts Foundation Laureate and CNZ Pacific Arts Contemporary Artist recipient, and the 2022 McCahon House artist in residence. In 2022, along with FAFSWAG, Gago presented Alteration, a mixed media exhibition in Kassel, Germany as part of Documenta 15, and will feature new works at MIF 2025.
ATUA is an XR (extended reality) installation created by FAFSWAG, a queer Indigenous art collective based in New Zealand. The main goal of this project is to revive stories of indigenous cultures by bringing AR (augmented reality) sculptures to life. These sculptures are designed based on the pan-Pacific deities of the Moana and can only be accessed through a digital portal. One notable deity, Tekore, is reimagined in human form, a departure from its conventional representation as space itself. This unconventional choice not only challenges cultural norms but also highlights the limitations of available digital assets, as the character’s body mesh was custom-created due to the absence of non-binary representation. Through this, ATUA offers commentary on the binary nature of technology in art, advocating for greater inclusivity and representation.
ATUA is an XR (extended reality) installation created by FAFSWAG, a queer Indigenous art collective based in New Zealand. The main goal of this project is to revive stories of indigenous cultures by bringing AR (augmented reality) sculptures to life. These sculptures are designed based on the pan-Pacific deities of the Moana and can only be accessed through a digital portal. One notable deity, Tekore, is reimagined in human form, a departure from its conventional representation as space itself. This unconventional choice not only challenges cultural norms but also highlights the limitations of available digital assets, as the character’s body mesh was custom-created due to the absence of non-binary representation. Through this, ATUA offers commentary on the binary nature of technology in art, advocating for greater inclusivity and representation.