Rhizomes is a concept developed by Gilles Deleuze and Félix Guatarri, presenting an evolving model, always in motion, spreading in all directions. It has no beginning and no end, but always has a middle, through which it grows and overflows. The root thought is the one that kills everything around itself while the rhizome is the root that stretches out to meet other roots. Édouard Glissant borrows the concept to address the question of identity, crossbreeding of cultures and its evolution. 

This piece borrows the same concept. Aho Ssan collects and uses different sound materials, from artists such as Angel Bat Dawid, Nicolas Jaar, Moor Mother, clipping. and many more, to create a musical rhizome. Several concepts give life to this piece: the contribution of sound material that influences creation (or the prism of musical creation), the appropriation of a sound object, and the collaboration of a piece facing the current landscape. 

This piece is coming with a book and beautiful drawings from artist Kim Grano. Between hybrid research of languages and emotional responses to the piece, they're playing a big role to plunge the listener into a universe filled with organic mutation.